was a French academic artist and student of William-Adolphe Bouguereau. Emile Munier was born in Paris and lived with his family at 66 rue des Fosses, St. Marcel. His father, Pierre François Munier, was an artist upholsterer at the Manufacture Nationale des Gobelins and his mother, Marie Louise Carpentier, was a polisher in a cashmere cloth mill. Emile and his two brothers, François and Florimond, were gifted artists and each spent some time at the Gobelins. During Emile's training he developed a close relationship with his professor Abel Lucas and his family. He eventually married Abel's daughter Henriette. During the 1860s, Munier received three medals at the Beaux-Arts and in 1869 he exhibited at the Paris Salon. He became a great supporter of the Academic ideals and a follower of Bouguereau, whose subject matter would be an important inspiration to the young Munier. In 1867, Henriette gave birth to a son, Emile Henri. Six weeks after the birth, having contracted severe rheumatism, Henriette died prematurely. In 1871, Munier abandoned his career as an upholsterer and devoted his time solely to painting; he also began teaching classes to adults three nights a week. Sargine Augrand, a student of Abel Lucas and a close friend of Emile and Henriette (before she died), caught Emile eye; they married in 1872 and lived in a small apartment and studio. Munier frequented the studio of Bouguereau, and they became friends. In 1885 he painted, and exhibited at the Paris Salon, Trois Amis (Favourite Pets). This painting, representing a chubby girl playing on her bed with a kitten and a dog, was an extremely successful work, being reproduced in many forms and used for publicity posters by Pears Soap. With this work, Emile asserted himself as one of inters of young children and their pets; it was eventually acquired by an American collector. Among his many American patrons were Chapman H. Hyams and his wife, who were important collectors of contemporary French paintings during the 19th century and favored artists like Henner, Bouguereau, Gerôme, Vinel and Schreyer. Munier painted their portrait in 1889, and it, along with much of their collection, is now in the New Orleans Museum of Art. During the 1890s Munier continued to paint peasant, mythological and religious subjects. In 1893 he exhibited L'esprit de la chute d'eau, at the Paris Salon, a nude nymph whom is not unlike Naissance de Venus by Bouguereau.  Related Paintings of Emile Munier :. | Girl with Basket of Oranges | A Special Moment | The New Pets | May I Have One Too | Essai de l Eau |
Related Artists:
Theodore Chasseriau
1819-1856 French Theodore Chasseriau Locations 1819?C56, French painter, b. Santo Domingo. He entered Ingres studio at the age of 12; five years later he gained immediate recognition with the exhibition of his Cain, Cursed and Return of the Prodigal. Chass??riau was the only artist of the age who successfully combined Ingres sense of line and Delacroix rich color and vitality and, at the same time, created his own personal style. After his visit to Algeria in the 1840s, he emphasized the exotic, romantic elements in his painting, while still adhering to classical techniques. Among his best-known works are the Two Sisters, Arabian Challenge, and Tepidarium (all: Louvre). His mural decorations for the Cour des Comptes of the Palais d Orsay, Paris, were destroyed except for a few fragments preserved in the Louvre. His untimely death cut short a brilliant career.
Alexander Young Jackson
(October 3, 1882 - April 5, 1974) was a Canadian painter and a founding member of the Group of Seven. As a young boy, Jackson worked as an office boy for a lithograph company, after his father abandoned his family of six children. It was at this company that Jackson began his art training. In the evenings, he took classes at Montreal's Monument-National In 1905, Jackson worked his way to Europe on a cattle boat, returning by the same means and travelling on to Chicago. In Chicago, he joined a commercial art firm and took courses at the Art Institute of Chicago. He saved his earnings and, by 1907, was able to visit France to study Impressionism. In France, Jackson decided to become a professional painter, studying at Paris' Academie Julian under J.P. Laurens.
maria rohl
Maria Christina Röhl, född i Stockholm den 26 juli 1801, död i Klara församling, Stockholm den 5 juli 1875, var en svensk porträttmålare som avbildade ett flertal samtida kända personer. Medlem i konstakademien (1843) och hovleverantör. Hennes tavlor hänger bland annat på Nationalmuseum i Stockholm. En samling av 1800 porträtt finns på Kungliga Biblioteket. Maria Röhl växte upp i en rik familj, men då hon blev föräldralös 1822 drabbades hon av fattigdom. Hon tänkte först bli guvernant, men professorn och kopparstickaren Christian Forsell undervisade henne då i teckning; hon hade redan tidigare undervisats av målaren Alexander Hambr??, och fick nu lära sig att utföra snabba och realistiska porträtt i blyerts; hon arbetade i blyerts och krita i svartvitt. Hon bodde hos familjen Forsell, där hon först avbildade familjens vänner och sedan, då det hade blivit modernt att låta avbilda sig av "mamsell Röhl", försörjde hon sig på detta i trettio år. Hon utnämndes till kunglig hovmålare 1843, studerade 1843-1846 under Leon Cogniet vid Franska konstakademien i Paris och hade sedan en atelj?? i Brunkebergs hotell i Stockholm. Fotografikonsten blev en svår konkurrent under hennes sista år. Även systern Eva Röhl (1810-96) uppges ha haft viss konstärlig begåvning.